Highlights

Dick Strange: American Made (short-form TV series on Amazon Prime; runtime: 75mins)

  • executive producer, creator, writer, director, actor

  • 15-day SAG New Media shoot - budget: $33k - shot on Red Helium

  • other duties: scheduling/AD, casting director, location scout, wardrobe and prop management, set-construction, post-production supervisor

  • successfully scheduled a 15-day “rain-free” shoot in Jan/Feb in Portland with talent from Portland, Seattle, and Los Angeles while also fulfilling multiple above and below the line roles (this was no small feat!)

  • prepared all assets for digital delivery on a major streaming platform

  • delivery time: 15 months (script start to 8-episode premiere)

Father’s Day (short film on YouTube; runtime: 18mins)

  • producer, writer, director, editor

  • 4-day SAG Short Film shoot - budget: $3k prod/ $1k post - shot on Sony a7sii

  • other duties: editor, sound designer, location scout, scheduling/AD, post-production supervisor, music supervisor

  • delivery time: 6 months (script start to premiere)

Discipline at Work (digital :60 spot)

  • producer, writer, director

  • 1-day SAG New Media shoot - budget: $3k prod/$3k post - shot on Red Dragon

  • other duties: editor, sound designer, post-production supervisor

  • the spot was used in a congressional campaign to end hitting in schools

  • delivery time: 4 months (concept to finish)

  • WINNER: (2) Silver Telly Awards (Non-Broadcast Production, and Directing)

We Are a Million Voices to End Hitting (digital :60 spot)

  • producer, director

  • shot on Sony a7sii

  • required casting/directing non-actors as well as functioning as a one-man ENG crew: doing all camera, grip, lighting, and location sound

  • other duties: writer, editor, sound designer, post-production supervisor

  • delivery time: 3 months (concept to finish)

Fossil Radio (music video)

  • producer, director, story by

  • 2-day shoot - budget: $8k - shot on Canon 7d

  • required extensive storyboards (20 pages) for line-by-line, sequential and interlocked camera work; large green-screens; compositing of time-lapse digital photography, 8mm, and 16mm film images; and devising a rig to fly a small camera through a classic car

  • FEATURED: Hollywood Theatre at Portland International Airport

Detail 2

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Detail 3

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